{"title":"Books","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExplore our selection of photobooks featuring captivating images and stories from both emerging and established photographers. \u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"iris-haverkamp-begemann-i-went-on-a-holiday-to-the-country-you-fled-from","title":"Iris Haverkamp Begemann - I Went on a Holiday to the Country You Fled From","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI Went on a Holiday to the Country You Fled From\u003c\/em\u003e\u003cspan\u003e explores identity and privilege. Guided by memories and hand-printed maps by Mexican trans writer and activist Alejandra Ortiz, the artist went on a holiday to Mexico, the country Ortiz fled from. The photography series weaves together experiences of belonging and rejection to create an intimate portrait of identity and the complex ways that it dictates personal freedom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis series was previously exhibited at Melkweg Expo (July 2022), WePresent at Tottenham Court, London (November 2022) and it was awarded the Dutch Photography Award '23 (SO 23).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 450 \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN 978-90-9038350-7 \u003cbr\u003eYear: 2024 \u003cbr\u003eHardcover, 120 pages, English \u003cbr\u003e265 x 282 mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51305847292171,"sku":"","price":39.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/iris-haverkamp-begemann-i-went-on-a-holiday-to-the-country-you-fled-from.jpg?v=1745394401"},{"product_id":"the-underground-camera","title":"The Underground Camera (EN)","description":"\u003cp\u003e\u003cspan\u003eThe exhibition The Underground Camera is on show at Foam until 5 October 2025. \u003cbr\u003eAn interesting photo-historical publication, with previously unpublished photographs from the last year of the war.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eA group of photographers, known as The Underground Camera, determined our image of the German occupation. What did they photograph, how did they work? Led by resistance fighter Tony van Renterghem and filmmaker Fritz Kahlenberg, these photographers worked in secret to document life under the occupation. They mainly took photographs in Amsterdam of, among other things, the miserable conditions during the Hunger Winter of 1944-1945, which were sent to London to convince the Dutch government in exile of the necessity of Allied food drops. After the war, these photographers, including big names such as Cas Oorthuys, Charles Breijer, Marius Meijboom and Emmy Andriesse, became famous for their images that made a lasting contribution to the image of the occupation. Yet little is known about the nature and extent of their work, the organization of the group and how the leadership operated from the hiding place in Amsterdam-Zuid. This book based on new archival research offers a unique insight into the daring missions of these photographers and their contribution to (photo) history.\u003cbr\u003e\u003cbr\u003eISBN: 9789462586857\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eYear: 2025\u003cbr\u003eHardcover, 256 pages, English\u003cbr\u003eDimensions: 25 x 19 cm\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51336917287179,"sku":null,"price":39.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/the-underground-camera.jpg?v=1746543762"},{"product_id":"foam-on-earth-imaging-technology-and-the-natural-world","title":"Foam - On Earth – Imaging, Technology and the Natural World","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eTechnological developments and the rapidly changing climate have fundamentally altered our relationship to nature. Photography enables us to observe this world more closely than ever before, and testifies to the effects of our existence in it. But can it also function as a catalyst for alternative ways of engaging with the environment?\u003c\/p\u003e\n\u003cp\u003eOn Earth brings together the work of 26 contemporary artists who use innovative imaging strategies to reflect on the evolving relationship between humans and nature. Following in the footsteps of the iconic landscape photographers of the nineteenth century, this new generation of artists uses modern visual technologies that increasingly pervade how we relate to the world: often electronically, and mediated by our digital screens. The exhibition\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.foam.org\/museum\/programme\/on-earth-imaging-technology-and-the-natural-world\"\u003e\u003cem\u003eOn Earth\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e was\u003c\/span\u003e on show at Foam from 20 March until 2 September 2020.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 978-2-918699-05-07\u003cbr\u003ePublication by le lieu unique and Foam\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eYear: 2020\u003cbr\u003e144 pages, English, French\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51372602327307,"sku":"110595257.223290273","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/foam-on-earth-front-catalogue.jpg?v=1746716853"},{"product_id":"lonneke-van-der-palen-lemons-gazing-at-mount-etna-2024","title":"Lonneke van der Palen - Lemons Gazing at Mount Etna, 2024","description":"\u003cp\u003eAt once a portable exhibition and a living archive, \u003cem\u003eLemons Gazing at Mount Etna\u003c\/em\u003e brings together Lonneke van der Palen’s visual investigations. Premised upon the vernacular of the everyday, Van der Palen’s magnification of details transforms found objects—such as a plastic chair or stray shopping bag—into the protagonists of material culture.\u003cbr\u003e\u003cbr\u003e\u003cimg height=\"433\" width=\"600\" alt=\"\" src=\"https:\/\/cdn.webshopapp.com\/shops\/64343\/files\/459599164\/full-sized-pagze.png\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"464\" width=\"600\" alt=\"\" src=\"https:\/\/cdn.webshopapp.com\/shops\/64343\/files\/459599167\/open-pages.png\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg height=\"418\" width=\"600\" alt=\"\" src=\"https:\/\/cdn.webshopapp.com\/shops\/64343\/files\/459599153\/achterkant-boek.png\"\u003e\u003c\/p\u003e\n\u003cp\u003e\"My artistic practice unfolds as an ever-growing visual investigation centered on one overarching theme: material culture and its preserved, unexpected aesthetic beauty. In my work, I am driven by a fascination with mundane scenes, rituals, modern artefacts, trash, treasures and objects, and their complex relationships with economic, cultural and historical contexts. I respond to existing spaces through carefully crafted compositions in which form, color and light deliberately relate to each other. During this process, I magnify subjects and reduce images to their pure essence, resulting in both visible and subtle shifts in everyday life.\u003cbr\u003eOver the past few years, without any hierarchy, I have accumulated an extensive collection of photographs. Subjects range from plastic chairs, tablecloths, stray shopping bags, and jerry cans to rocks, tent cloths, exotic fruit, and boys in swimming trunks. Both in the studio and on location, my search is driven by a new way of perceiving and discovering unexpected visual pleasures, an overall sense of wonder, and the ability to view and capture everything with equal interest and attention. These found objects, their uses and meanings, are then revealed and communicated to the viewer through vivid images highlighting ephemeral details. The banal takes on an almost exalted status, as billboards for everyday scenes. Although pleasure is at the core, my strategy of revealing hidden beauty and unnoticed aesthetic values is accompanied by underlying notions of consumerism, natural resources, exploitation, and the origin and fabrication of objects.\"\u003cbr\u003eLonneke van der Palen\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003ePublished in 2024\u003cbr\u003eCollection of posters, comes in a plastic folder\u003cbr\u003eConcept: Lonneke van der Palen, Myrabelle Charlebois, Our Polite Society\u003cbr\u003eGraphic design: Our Polite Society \u003cbr\u003eFormat: 275 × 390 mm\u003cbr\u003eNumber of pages: 280\u003cbr\u003eLanguages: English\u003cbr\u003ePrinting: Gutenberg Beuys Feindruckerei, Germany\u003cbr\u003eISBN: 978-9-08322-744-3\u003cbr\u003e\u003cbr\u003eFour covers available. Randomly attributed.\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51390693376267,"sku":"","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/lonneke-van-der-palen-lemons-gazing.jpg?v=1747058856"},{"product_id":"anton-corbijn-allegro","title":"Anton Corbijn - Allegro","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn recent years Anton Corbijn (b. 1955) is mostly known as director of movies like \u003cem\u003eControl\u003c\/em\u003e (2007) and \u003cem\u003eThe American\u003c\/em\u003e (2010). Next to directing movies, his love for photography remains strong. During his thirty-year career he worked together with numerous musicians and actors and became the ‘personal photographer’ of bands like U2 and Depeche Mode. Corbijn also directed many music videos for Joy Division, Nirvana, Coldplay and Johnny Cash.\u003cbr\u003e\u003cbr\u003eHis photographs have been exhibited worldwide in leading galleries and museums including the Deichtorhallen in Hamburg , the Photography Research Centre in Boston and the Museum of Art in Vienna. Several monographic books concerning the photographical work of Corbijn have been published.\u003cbr\u003e\u003cbr\u003eDuring his long lasting career the work of Corbijn forms a major influence on international music and portrait photography. The creative, off-beat way he has been photographing performing artists since the 1970s has become his personal trademark. The atmospheric and often melancholic black-and-white aesthetic from his early years contains a subtle balance between documentary- and portrait photography. Implicitly questioning the boundaries between different photographical genres became characteristic for Corbijns work and had a big influence on photography as a whole.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eMonography\u003cbr\u003e2018\u003cbr\u003eText in English and German by Els Barents\u003cbr\u003ePublication by Schirmer\/Mosel\u003cbr\u003e111 p. with colour and black \u0026amp; white images\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51391339888907,"sku":"","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/anton-corbijn-allegro.jpg?v=1747058987"},{"product_id":"john-berger-understanding-a-photograph","title":"John Berger - Understanding a Photograph","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eContains essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.\u003cbr\u003e\u003cbr\u003eJohn Berger was born in London in 1926. His acclaimed works of fiction and non-fiction include the seminal \u003cem\u003eWays of Seeing\u003c\/em\u003e and the novel \u003cem\u003eG.\u003c\/em\u003e, which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition from 2013, first published in 1967\u003cbr\u003eText in English\u003cbr\u003ePublication by Penguin Books\u003cbr\u003e240 p., with black and white photos\u003cbr\u003ePaperback\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51391362859275,"sku":"","price":17.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/john-berger-understanding-a-photograph.jpg?v=1747059266"},{"product_id":"susan-sontag-regarding-the-pain-of-others","title":"Susan Sontag - Regarding the Pain of Others","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFamous essay by the American philosopher, writer, filmmaker and activist Susan Sontag about the meaning and use of war photos. \u003cbr\u003e\u003cbr\u003eSusan Sontag (1933-2004) was an American writer, filmmaker, philosopher, teacher, and political activist. She mostly wrote essays, but also published novels; she published her first major work, the essay \"\"Notes on 'Camp'\"\", in 1964. Her best-known works include On Photography, Against Interpretation, Styles of Radical Will, The Way We Live Now, Illness as Metaphor, Regarding the Pain of Others, The Volcano Lover, and In America.\u003cbr\u003e\u003cbr\u003eEdition from 2019, first published in 2003\u003cbr\u003eText in English\u003cbr\u003ePublication by Penguin\u003cbr\u003e116 p., no images\u003cbr\u003ePaperback\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51391377801483,"sku":"","price":17.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/susan-sontag-regarding-pain-others-foam.jpg?v=1747059529"},{"product_id":"felipe-romero-beltran-dialect-2020-2023","title":"Felipe Romero Beltrán - Dialect, 2020-2023","description":"\u003cp\u003e\u003cem\u003eDialect\u003c\/em\u003e covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status.\u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.webshopapp.com\/shops\/64343\/files\/452536590\/dsc00661.jpg\" alt=\"\" width=\"600\" height=\"443\"\u003e\u003cbr\u003eIn this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, \u003cem\u003eDialect\u003c\/em\u003e breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.\u003c\/p\u003e\n\u003cp\u003eFelipe Romero Beltrán (b. 1992) is a Colombian photographer based in Madrid, Spain. Beltrán focuses on social issues, dealing with the tension that new narratives introduce in the field of documentary photography. His practice, characterized by its interest in social matters, is the result of long-term projects accompanied by extensive research on the subject.\u003cbr\u003e\u003cbr\u003eBeltrán was the winner of the Foam Paul Huf Award 2023 and his solo exhibition \u003cem\u003eDialect\u003c\/em\u003e was on show at Foam in 2024.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e176 pages, 21 x 30 cm, 70 colour plates\u003cbr\u003eSection-sewn open spine softcover\u003cbr\u003eWith texts in English and Spanish by Caterina Borelli, Albert Corbí, Youssef Elhafidi, Zakaria Mourachid and Ricardo Quesada\u003c\/span\u003e\u003cbr\u003eEdited by Loose Joints Studio \u0026amp; Felipe Romero Beltrán\u003cbr\u003eDesigned and Published by Loose Joints Studio\u003cbr\u003eLJ183, April 2023 \u003cbr\u003eISBN 978-1-912719-37-2\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51400840118539,"sku":"","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/book-felipe-romero-betran-dialect.jpg?v=1747216830"},{"product_id":"johny-pitts-afropean","title":"Johny Pitts - Afropean: A Journal","description":"\u003cp\u003e\u003cstrong\u003eAfropean: A Journal\u003c\/strong\u003e, takes twenty years of photographs, notebooks, and ephemera documenting the Black experience in Europe between 2004- 2024, through various crises from the wake of 9\/11 and the Iran War through the global financial crisis, Brexit, the rise of rightwing populism in the 2010s and Russia's full scale invasion of Ukraine in the 2020s. A working Black photographer himself, Johny Pitts self-funded a series of Interrail trips through Paris, Brussels, Amsterdam, Berlin, Stockholm, Moscow, Kyiv, Zagreb, Rome, Marseille, Lisbon and many more places, illuminating often misunderstood and misrepresented Afro-European communities in words and images.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJohny Pitts presents an ongoing visual documentation to the lives and cultures of Black Europeans,\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003ebringing together twenty years of photography, notebooks and ephemera. Adding new layers of understanding of the Black experience in Europe, and spanning cities such as Paris, Berlin, Lisbon, Brussels, Amsterdam and Stockholm, Pitts delves even deeper into the lives, histories, and cultures of Afropeans. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN: 978-1-917282-09-3\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eYear: 2024\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePublisher: Mörel Books\u003cbr\u003eEdition of 1500\u003cbr\u003e300 pages, soft cover\u003cbr\u003e241 x 184 mm, portrait\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51724705792267,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/Johny-Pitts-afropean-morel-books.jpg?v=1750257652"},{"product_id":"myriam-boulos-what-s-ours","title":"Myriam Boulos - What’s Ours","description":"\u003cp\u003eBack in stock in May 2026. \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eA searing, diaristic portrayal of a city and society in revolution by the winner of the Foam Paul Huf Award 2025: Myriam Boulos.\u003cspan\u003e In her debut monograph, published by Aperture, Boulos casts an unflinching eye on the revolution that began in Lebanon in 2019 with protests against government corruption and austerity—culminating with the aftermath of the devastating Beirut port explosion of August 2020. She portrays her friends and family with startling energy and intimacy, in states of pleasure and protest. Boulos renders the body in public space as a powerful motif, both visceral and vulnerable in the face of state neglect and violence. Of her approach to photography, Boulos states: “It’s more of a need than a choice. I obsess about things and I don’t know how to deal with these obsessions in any other way but photography.” Featuring a contextual essay by noted writer Mona Eltahawy, \u003c\/span\u003e\u003ci\u003eWhat’s Ours\u003c\/i\u003e\u003cspan\u003e showcases Boulos’s strident and urgent vision.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eMyriam Boulos\u003cspan\u003e (born in Beirut, 1992) emerged from a country fragmented by war that had to reinvent itself. She graduated with a master’s degree in photography from the Lebanese Academy of Fine Arts in 2015. She has taken part in both national and international collective exhibitions.\u003c\/span\u003e\u003cspan\u003e Her work has been published in \u003c\/span\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eFoam Magazine\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eVogue\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eTime\u003c\/i\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003ci\u003eVanity Fair\u003c\/i\u003e\u003cspan\u003e, among other publications. In 2020 Myriam co-founded and became the photo editor of Al Hayya, a bilingual magazine that publishes literary and visual content on the works, interests, and strife of women in her region. In 2021 she joined Magnum as a nominee. \u003cbr\u003eHer work is also featured in Foam Magazine #67 - The Test of Time.\u003cbr\u003e\u003cbr\u003ePublished by Aperture, 2023\u003cbr\u003e216 pages, hardcover\u003cbr\u003e18 x 22 cm\u003cbr\u003eISBN: 9781597115605\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":51748302127371,"sku":"","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/myriam-boulos-what-s-ours-book.jpg?v=1764757249"},{"product_id":"benjamin-freedman-positive-illusions","title":"Benjamin Freedman - Positive Illusions","description":"\u003cp\u003eUsing CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. \u003c\/p\u003e\n\u003cp\u003eThese digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. 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Spanish photographer Pia Riverola's dreamy images, soaked in atmosphere, evoke feelings of distance and travel: from neon-lit rainy Japanese nights, a Mediterranean breeze lifting a Spanish tablecloth, or Italian drizzle softly falling beneath an umbrella in a Roman garden.\u003cbr\u003e\u003cbr\u003eA self-taught photographer, Riverola's images contain a casual offhandedness; candid like an overheard conversation, intimated and muffled like a late-night call with a friend, celebratory and in wonder of the world. As if peeling away the layers, the days of toil and tribulation to see the world anew,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDías\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeels cleansing and deep in its essence, joyful yet sombre in the way Riverola's oblique evocations roll away before your eyes. 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She came upon a small outbuilding and peered through the window, only to encounter an eerie scene: a storage box covered in a mountain of tissue paper, and two rails of white garment bags, lined up as if in a queue. She’d stumbled upon the clothing archive of Lee Miller, en route to archival storage. For Torres, it was a quasi-unearthly encounter, these materials charged with a strong sense of Miller’s aura. She was eventually granted further access to the collection, which she began to photograph with both polaroid and digital cameras. The resulting images have a gauzy, hallucinatory quality, the perspective shifting between close ups, the terrain narrowed to a series of lines and textures, and wider shots in which bodily forms shift and dance.\u003cbr\u003e\u003cbr\u003eRather than a catalogue of outfits,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat Lee Wore\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores clothing as a vessel for memory, and archival storage as a charged space of possibility. It questions what remains when the garment outlasts the body, and reimagines the clothing archive as a landscape of ghostly encounters and latent intimacy. With a text by Rosalind Jana.\u003cbr\u003e\u003cbr\u003ePublisher: Chateau International\u003cbr\u003e56 pp, numerous illustrations, thread-sewn softcover, English\u003cbr\u003e26 x 19 cm\u003cbr\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9781838045050\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Foam","offers":[{"title":"Default Title","offer_id":52941599736075,"sku":null,"price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/Gisela-Torres-What-Lee-Wore-Tenderbooks-Foam.jpg?v=1772554331"},{"product_id":"middle-east-archive-women","title":"Middle East Archive - Women","description":"\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003eWomen\/ النساء\u003c\/strong\u003e centres the everyday presence of women in the region, presenting them as individuals rather than symbols. The publication brings together diverse photographic approaches and perspectives. Rather than proposing a single narrative, the book foregrounds the plurality and contradiction present in women’s lives, allowing each body of work to stand on its own whilst contributing to a broader collective portrait. The book highlights the role of women in shaping family life, social structures and cultural memory, while also acknowledging how these roles shift across time and place. The publication does not attempt to represent all women, but instead creates space for visibility, complexity, and representation.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eWomen\/ النساء brings together the work of 72 photographers spanning archival and contemporary collections. 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This bi-annual group show is on view until August 26th in Foam. \u003cbr\u003e\u003cbr\u003eThis project \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA Home With No Roof \u003c\/em\u003eis about the home where De Brito Faustino grew up, a place where strangeness and the familiarity of the ordinary existed alongside. Being an intimate space, it should have been nurturing and reassuring. And yet, it was the scene of painful scenes. \u003cbr\u003e\u003cbr\u003e\"In \u003cem\u003eA Home With No Roof\u003c\/em\u003e, she sublimates her experience of domestic abuse, in a turbulent collision of dreams and memories. Based on a meticulous 1:12-scale model reconstruction of her childhood home, the camera traces the detritus of domestic life made miniature. Scenes are familiar, yet nothing is quite right. (...) Fragments of bodies erupt unexpectedly, sometimes grossly oversized and at other times deflated and hollow. The glint of stacks of dishes and spilt coffee moves your eye, for an instant, away from the artist’s figure, a looming presence, both dominant and awkward, amongst a sea of unease.\"\u003cbr\u003eText by Gem Fletcher, Foam Magazine #68 - Talent\u003cbr\u003e\u003cbr\u003ePublished by Ciao Press, 2026\u003cbr\u003e233 x 340 mm\u003cbr\u003e128 pages, softcover\u003cbr\u003eLanguage: English\u003cbr\u003eEdition of 850\u003cbr\u003eISBN: 97821940624362\u003cbr\u003e\u003cbr\u003eThe pages of this book can be opened using a sharp knife or letter opener. This is part of the design and the interactive element of this publication.  \u003cbr\u003e\u003c\/p\u003e","brand":"Foam Webshop","offers":[{"title":"Default Title","offer_id":53199072264459,"sku":null,"price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0914\/7586\/9963\/files\/Sara-De-Brito-Faustino-book-Home-with-no-roof.jpg?v=1782138863"}],"url":"https:\/\/shop.foam.org\/collections\/books.oembed?page=2","provider":"Foam Webshop","version":"1.0","type":"link"}