Silver gelatine print on baryta paper
Signed and numbered on reverse
35,5 x 49 cm
Edition of 15 + 1 AP
ABOUT THE WORK
Daido Moriyama captures images such as The Sea using a small hand-held camera, which permits him to snap photographs while running or walking. The Sea offers a particularly intimate view of a beach and crashing waves; the grainy, black-and-white aesthetic imbues the work with a unique, vintage-like atmosphere.
ABOUT THE PHOTOGRAPHER
Being one of the most revered living Japanese photographers, Daido Moriyama’s work is saturated with the melancholic beauty of life at its most ordinary. His photographs epitomize wabi-sabi, the Japanese aesthetic of finding beauty in imperfection. Moriyama focuses in on the lost and the discarded, and finds echoes of living through the breakdown of traditional values in post-war Japan.
Daido Moriyama was born in 1938 along with a twin brother, who died when Daido was two. His childhood was spent in the town of Urawa, outside Tokyo, where the passing GI’s would throw chocolate and chewing gum to the children. Citing Kerouac’s On the Road as one of his greatest influences, Moriyama draws inspiration from Atget and Weegee as well as William Klein and Warhol. Comparing himself to a machine gun, Moriyama fires off his camera in rapid bursts of instinctive shooting.
The 1980s finds Moriyama at his most lyrical. With the extreme provocations of his 60s and 70s work behind him, he turns to a plainer, more centred investigation of everyday life. His camera and his printing (he makes all his prints himself) are voracious, hungry all the time. His intent seems to be to find beauty and meaning in every scrap and horizon that the sun reveals to his eye.
Moriyama’s output since 1968 is legendary. He has produced over 150 books of his photographs. He has had over 100 solo exhibitions. In the U.S., he was a central figure in MoMA’s 1974 ground breaking New Japanese Photography exhibition, and in 1999 SFMoMA organized and exhibited the retrospective Daido Moriyama: Stray Dog, which was also shown at the Metropolitan Museum of Art and Japan Society in New York.
‘The crushing force of time is before my eyes, and I myself try to keep pressing the shutter release of the camera. In this inevitable race between the two of us, I feel I am going to be burnt up.’ – Daido Moriyama
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